Briefkaart aan Philip Zilcken by Marinus van der Maarel

Briefkaart aan Philip Zilcken before 1899

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drawing, paper, ink, pen

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drawing

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hand-lettering

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pen sketch

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old engraving style

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hand drawn type

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Copyright: Rijks Museum: Open Domain

Curator: Look at this little treasure, "Briefkaart aan Philip Zilcken," it's a pen and ink drawing on paper, likely before 1899. It seems to be a simple postcard, but somehow feels quite intimate. Editor: The intimacy strikes me immediately. It's monochrome, sepia-toned—evoking the feeling of a message from a bygone era. It appears to have been written with deliberate haste. Curator: Indeed! It showcases a remarkable command of calligraphy. The varying thickness of the lines achieved through pen pressure are gorgeous, wouldn't you agree? There's the frank stamp, the postal mark; each component creates this incredible texture of layered information. Editor: Agreed. This texture offers visual clues beyond just delivering postal information. It points to a system of signs, each contributing to a semiotic structure defining 'the postal'—legibility versus expressiveness. Do we know who sent this? Curator: While it's inscribed for Philip Zilcken, it comes from Marinus van der Maarel's collection, hinting it might've been correspondence he kept perhaps for its artistic merit or personal value. It says ‘Villa Lowichit Henish Broun’ I can't find what that says when properly transcribed so it must be a misspelling or code of some kind. That adds a certain poetic mystery doesn't it? Editor: It does. We're decoding someone else's mail but the actual subject of the email remains… elusive, at arm's length from our current perspective. A shadow narrative constructed between the scripted hand and its receiver in absentia! The overall affect of this little picture provides so much through withholding its meaning. Curator: Precisely. I love that something this ostensibly simple—a brief message—can resonate with such complexity. And the texture alone, as a study in linework… incredible. It makes me want to write a postcard right now! Editor: And that desire perhaps encapsulates the work’s true emotional pull. We see not merely ink on paper, but a system inviting interaction. This postcard exists for communication. Therefore our engagement, regardless how retrospective, fulfills this function… rather beautifully!

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