Huzaar van de Rijngraaf van Salm in 1786 by S.G. Casten

Huzaar van de Rijngraaf van Salm in 1786 1795

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drawing, paper, ink

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portrait

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drawing

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quirky sketch

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pen sketch

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sketch book

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paper

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personal sketchbook

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ink

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sketchwork

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romanticism

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pen-ink sketch

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pen work

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sketchbook drawing

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genre-painting

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history-painting

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storyboard and sketchbook work

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sketchbook art

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miniature

Dimensions: height 197 mm, width 310 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Huzaar van de Rijngraaf van Salm in 1786," a pen and ink drawing on paper by S.G. Casten, created around 1795. It looks like it's a page from a sketchbook, maybe a study for a larger painting? What's fascinating me is the contrast between the detailed figure and the faded, ghost-like horse on the left page. What stands out to you when you look at this drawing? Curator: Well, firstly, the "ghost-like" image sings to me of the artist's process, that dance of creation and revision, visible here in pale echo. It feels intensely personal, doesn’t it? This isn't just a depiction of a soldier; it's Casten inviting us into his very act of seeing, of figuring things out. Do you notice how the right page practically vibrates with a confident line? While the palimpsest of the faint horse feels like a memory fading. Almost dreamlike, don't you think? Editor: I do! The right side has a real confidence. What does the subject itself, the soldier, tell us? Curator: Absolutely, our hussar embodies Romanticism's fascination with individuality and perhaps a dash of melancholic nostalgia. I can’t help wondering if Casten intended to invoke the ideals of that revolution…Or if he were merely trying to capture the spirit of the hussar. It does hint at a tension between public duty and private contemplation, don’t you agree? Editor: I see what you mean! It's almost as if the hussar represents a moment caught between grand historical events and the intimacy of the artist's sketchbook. I appreciate seeing this image that opens these dialogues on paper, thank you. Curator: Indeed! To observe the past, and contemplate its impressions on our unfolding present…now isn't that why we turn to art to begin with?

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