Inscribed drawing with monogram of Sang, of a ceiling design, July 1868 1868

Here is a ceiling design made in July 1868, inscribed with the monogram of Frederick Sang. Observe the central motif: an angel amidst the clouds, encircled—an image that echoes classical and Renaissance traditions, where celestial beings often represented divine intervention. It is an age-old story of higher powers looking down on us mortals! Now, consider this symbol’s journey: From ancient Greek depictions of winged messengers to the cherubic figures of the Renaissance, the angel has undergone a fascinating transformation. Think of Botticelli’s angels, their serene expressions embodying spiritual purity. Yet, their lineage stretches back to Hermes, the fleet-footed messenger of the gods. This image taps into our collective memory, stirring emotions of hope, guidance, and protection. It serves as a reminder of humanity’s perennial quest for connection with the divine. These motifs are cyclical, reappearing across centuries, and evolving in meaning with each cultural rebirth.