Femme au chien 1962

Here is Picasso’s oil on canvas painting, ‘Femme au chien’. Though undated, we believe it was made in 1962. This portrait offers an intimate glimpse into Picasso's personal life, specifically his relationship with his Afghan Hound, Kabul. During the 1960s, Picasso lived in the South of France with his second wife, Jacqueline Roque. ‘Femme au chien’ reflects the shifting dynamics of love, companionship, and domesticity. The woman seems to blend into the background while Kabul emerges as a central figure. Are we looking at a tender portrait of a beloved pet, or is Picasso commenting on the dynamics between women, domesticity, and companionship? Picasso once said, "The more I see of men, the more I like dogs." What could be seen as an expression of emotional connection between the artist and his pet, also reflects broader societal issues of love, loyalty, and the human condition.