Crucifixion of Polycrates c. 17th century

Curator: At the Harvard Art Museums, we have Salvator Rosa's "Crucifixion of Polycrates," rendered with stark lines. I'm struck by the way the artist conveys power dynamics through body language. Editor: Yes, the central figure on horseback looms large, utterly detached. It feels...oppressive. What can you tell us about the context? Curator: Well, Rosa often critiqued authority. Polycrates, a tyrant of Samos, was indeed crucified, a cruel end predicted to him after foolishly discarding his prized ring into the sea to avoid bad fortune, only for it to reappear in the belly of a fish days later. Editor: The way the figures are arranged almost feels staged, but also incredibly raw, and I believe it shows a deep class divide. Curator: Indeed. It's a powerful statement on justice and its corruption. Editor: Thank you, this image has a chilling effect! Curator: It gives one plenty to reflect on.