Dimensions: height 282 mm, width 225 mm
Copyright: Rijks Museum: Open Domain
This is a hand-colored engraving titled "The Gallery of Fashion," created in 1794 by an anonymous artist. The print offers a glimpse into the performative aspects of elite identity during the late 18th century. The elaborate dress, adorned with garlands and ribbons, embodies the extreme fashion of the period. These visual markers of status were tools used to enforce social hierarchies. The towering hairstyle, complete with feathers, further accentuates the wearer's elevated position. Consider the immense labor required to produce and maintain such garments, especially in the context of the French Revolution, which challenged the excesses of the aristocracy. The print reflects a tension between the desire for luxury and the growing unease with social inequality. It invites us to reflect on how fashion can be both an expression of individual identity and a reflection of broader societal values. The emotional weight of such displays of power cannot be understated.
In 1794 The Gallery of Fashion first appeared in England. Clearly inspired by the French Gallerie des Modes, the series was intended, according to the publisher, to demonstrate the superiority of English taste. English fashions were more decorous, and sometimes exceptionally voluminous. The three ostrich plumes in the young ladies’ turbans were required for introductions at court, being an emblem of the Prince of Wales.
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