Untitled by Jindrich Styrsky

Untitled 1934

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Dimensions: 25 x 122 mm

Copyright: © The estate of Jindrich Štyrský | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Jindrich Styrsky's gelatin silver print, simply called "Untitled," presents a rather somber, almost spectral scene. Editor: It certainly does. The stark contrast and grainy texture immediately convey a feeling of decay and isolation. Curator: Note the meticulous composition, though. The placement of the headstone, the small table—they create a visual rhythm, directing our gaze across the frame. Editor: And the German inscription on the stone, "Ruhestätte der Familie Brousil," suggests this is a family burial site, hinting at specific cultural and historical contexts related to death and remembrance. Curator: The wall behind, with its peeling paint and darkened patches, functions almost as an abstract expressionist painting within the photograph. Editor: Yes, that backdrop contributes to the overarching narrative, underscoring the passage of time and the impact of history. Curator: A fascinating interplay between form and content. Editor: Indeed, Styrsky invites us to contemplate both the visual elements and the socio-cultural implications embedded within the image.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/styrsky-untitled-p79315

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tate 1 day ago

Štyrský was a painter, poet, editor and photographer, and a leading member of the surrealist group in Czechoslovakia. These two photographs explore the theme of urban decay, prized by the surrealists. The grimy wall in dappled shadow recalls their obsession with the advice of Leonardo da Vinci to look for patterns in the peeling plaster of old walls as a source of inspiration. Gallery label, October 2016