Diana en Cupido c. 1575 - 1580

Jan Snellinck created this pen drawing, Diana and Cupid, around 1600. It's a study, made in preparation for a larger painting. Snellinck was court painter to Rudolf II in Prague. Rudolf’s court was known as a center for mannerism, a style that prized elegance and sophistication. In this image, Diana, the virgin goddess of the hunt, is accompanied by Cupid, who incites love. Mythological scenes like this one were popular at court because they gave artists a chance to show off their knowledge and skill while flattering their patrons. Notice how Diana's pose is carefully balanced, with one arm reaching forward while the other pulls back her bow. The lines are fluid, and the figures are graceful. Mannerist artists were more interested in beauty and refinement than in realism. They often distorted the human form to create a sense of drama and excitement. To understand the role of this drawing, we can consult the inventories of collectors, and examine the artist's relationship to institutions of the court. Art historical research helps us understand how it served as a tool of power and prestige in its own time.