Christ and the Widow's Son c. 18th century

Curator: Giovanni Folo’s print, "Christ and the Widow's Son," offers a scene heavy with emotion. Editor: I'm immediately struck by the composition – the sharp contrast between light and shadow emphasizes the drama. Curator: Folo, who lived from 1764 to 1836, was known for his engravings after classical and Renaissance masters. This print likely circulated widely, reproducing a moment of divine intervention for a broader audience. Editor: Absolutely. The widow's son seems suspended between worlds. The entire scene is staged almost theatrically, with Christ as the central actor. The materiality here isn't just about the print itself, but the paper it's on, the ink used – everyday materials made sacred through image. Curator: It's fascinating how Folo utilizes the reproducible nature of printmaking to bring narratives like this to the masses, democratizing access to religious art and challenging traditional notions of artistic value. Editor: A reminder of how art can reflect faith, and labor intersects with the divine. Curator: Precisely. Editor: Quite impactful, actually.