The rest on the flight into Egypt (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters) by Andrea Scacciati

The rest on the flight into Egypt (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters) 1750 - 1760

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drawing, print, engraving

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drawing

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baroque

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print

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history-painting

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engraving

Dimensions: sheet: 11 15/16 x 15 1/4 in. (30.4 x 38.7 cm)

Copyright: Public Domain

Editor: Here we have "The rest on the flight into Egypt," an engraving by Andrea Scacciati, created sometime between 1750 and 1760. The scene feels so theatrical, almost staged. What can you tell me about this work? Curator: This engraving captures a very specific and charged moment within a larger narrative – the Holy Family’s flight to Egypt to escape Herod’s persecution. How does it strike you that this intimate moment of rest is also embedded within a larger context of forced migration, political unrest, and religious persecution? Editor: That's a powerful way to put it. I was focusing on the apparent serenity, the cherubs and angels almost protecting them, but your focus on the broader political and social circumstances gives me another lens. Does that connection to social upheaval make this piece typical of the Baroque period? Curator: To some extent, yes. The Baroque often uses religious narratives to reflect and subtly critique societal power structures. Notice how the figures of Mary and Joseph are presented not just as holy figures but as refugees, displaced and vulnerable. What commentary might Scacciati be offering about the treatment of those considered 'other' within his own society? Editor: I hadn’t thought about it that way. Seeing it now as a reflection on displacement and otherness makes it feel much more relevant. So, beneath the religious iconography is there a broader message about empathy and social justice? Curator: Precisely! And thinking about Scacciati’s choice to create a print, which allowed for wider distribution, underscores a desire to disseminate this message broadly and spark dialogue. Editor: Wow, I see so much more now! Thank you for opening my eyes to the multiple layers of meaning within this seemingly peaceful image. Curator: And thank you for your thoughtful questions. It's through these conversations that we can challenge dominant narratives and excavate the art's powerful potential.

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