"What have I done, damned assassins..." c. 18th century

Editor: So this engraving, "What have I done, damned assassins...", by A. Claude Philippe de Thubières comte de Caylus, shows a rather theatrical scene. The composition is striking, with a clear division between the figures in the foreground and the architectural backdrop. What do you observe in terms of its formal qualities? Curator: Indeed. Notice how the artist employs a rigorous use of line to delineate form and create depth. The hatching and cross-hatching techniques sculpt the figures and establish tonal variation across the composition. The figures themselves seem arranged to create a rhythmic pattern, drawing the eye across the scene. Editor: The figures do seem quite arranged. So, it's the structure and the way the lines create that rhythm that really defines it for you? Curator: Precisely. It is through these elements that the narrative, whatever it may be, unfolds. The artist manipulates the visual language to construct meaning and guide our interpretation. Editor: That's a helpful way to think about engravings. I'll definitely pay closer attention to those compositional elements going forward. Curator: As will I. It is a piece that rewards close looking.