Portret van Christina Chalon 1748 - 1795

This delicate portrait of Christina Chalon was created by Jan Chalon sometime in the 18th century, using etching. This intaglio printmaking technique involves using acid to cut into a metal plate, which is then inked and pressed onto paper. What's so remarkable about this print is the way Chalon coaxes such a range of tones from simple cross-hatching. The density of lines defines the space around Christina, and it also models her face, giving it volume. This effect depends on the artist’s control of the etching process, as the duration of immersion in acid determines the depth, and therefore darkness, of the lines. Prints like this were produced to be widely disseminated and consumed. The etching process allowed artists to make multiple copies of their work, expanding their reach and influence. Although we may not know the exact economic circumstances of Jan Chalon, it is safe to assume that he, like many artists, depended on the art market to sustain his practice. The magic of this portrait resides in the combination of technical expertise and the social context of its making. It reminds us that art is not just about individual expression, but also about the means of production.