graphic-art, print, typography, engraving
graphic-art
dutch-golden-age
old engraving style
typography
engraving
historical font
Dimensions: height 365 mm, width 310 mm
Copyright: Rijks Museum: Open Domain
Editor: So, this is a New Year's broadside for the year 1796, created by Frans Swidde. It’s a print with typography and engraving and appears to be Dutch Golden Age style. It strikes me as rather wordy, almost overwhelming in its density. I wonder, what do you see in this piece? Curator: Ah, yes! Wordy it is, in that peculiar, gorgeous way that reminds us language, particularly in times of revolution and change, was so meticulously and performatively deployed. Think of it as a concentrated dose of hope, morality, and civic duty all rolled into one very precise articulation. It’s a moment suspended in ink! Does that font itself not sing a song of changing times to you? Editor: It does have a very unique style to it, though it's hard for me to really connect with a lot of the meaning. What sort of context might help with this? Curator: Consider the period: 1796! The Dutch Republic is teetering, the echoes of the French Revolution are reverberating. The “Klapperwachts” – think of them as the local watch – they're not just wishing people a happy new year. They are invoking God, civic responsibility, and prosperity to the burghers and representatives of Hoorn. See the almost desperate plea for wisdom and good governance? That coat of arms isn't just decoration; it's a symbol they want to reinforce! What do *you* feel reading the print with this lens in mind? Editor: I can see the revolutionary connections, and the idea of using language so deliberately! Maybe they were really nervous about the future! Curator: Exactly! This isn't just a greeting card; it's a survival manual, a tiny paper boat launched into a storm of history. Maybe we can all still use the same. Editor: It does make it more lively knowing a little more. It isn't only typography and old engravings. It tells its own interesting little story!
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