drawing, paper, pencil, pen
drawing
landscape
paper
romanticism
pencil
pen
history-painting
realism
Dimensions: height 375 mm, width 290 mm
Copyright: Rijks Museum: Open Domain
Curator: Before us, we have Max Josef Wagenbauer's "Fir Tree Amongst Three Tree Stumps at a Forest Edge," created around 1823. Editor: It's stark. That central tree really dominates the scene. The details in the foliage are quite intricate. Almost architectural in the way it's rendered. Curator: Yes, Wagenbauer seems quite invested in a very faithful representation of the forest. It reflects a prevailing romantic ideal too, of the power and sublime nature found within such spaces. Editor: I'm drawn to the stumps, actually. The remnants of trees felled; it speaks volumes about human intervention and use of resources, a transformation of raw materials. Do we know how this forest might have been utilized? Curator: It likely would have served as resource for the burgeoning urban centers nearby. Also, these kinds of forest scenes were often depicted in the context of larger political narratives relating to sovereignty. Land ownership and forestry were points of contention during Wagenbauer's time. Editor: That lends a socio-political layer to what seems like a tranquil landscape. The scale, or rather the limitations in scale through his choice of pencil and paper, give a certain intimacy. The hand labor becomes apparent in the minute crosshatching. Curator: Definitely, the realism is compelling. The attention to botanical accuracy fits the rise of scientific naturalism that started during the Enlightenment. Editor: I'm wondering about the choice of drawing; given its portability and the rise in popularity of sketchbooks. The ability to make these types of work for a growing, consuming class must have really opened up avenues for Wagenbauer to engage with different demographics. Curator: I find myself reconsidering the framing of landscape—it isn’t just passive scenery but carries complex cultural and historical meanings, too. Editor: I agree. Focusing on those material choices and their context, allows for a richer understanding. The work allows the viewer to reflect on that interaction between nature, resources and human endeavors.
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