drawing, print, etching
portrait
drawing
baroque
dutch-golden-age
etching
pencil drawing
portrait drawing
Dimensions: height 87 mm, width 73 mm
Copyright: Rijks Museum: Open Domain
Editor: We’re looking at “Seated Old Man with a Book” by Ferdinand Bol, probably etched sometime between 1626 and 1680. The old man seems completely absorbed in his book, lost in thought, or perhaps remembering things from the past. What can you tell us about it? Curator: The very act of depicting an elderly man reading elevates the pursuit of knowledge and wisdom. This man becomes an icon, a vessel holding generations of accumulated knowledge. What symbols do you notice that stand out? Editor: There is an odd almost perfectly circular emblem pinned to his chest, but besides that the composition feels more straightforward. Are we meant to connect him to something specific? Curator: Think about the visual language of older portraits and historical figures. Often, the book itself becomes symbolic – consider, for instance, Saint Jerome often depicted in the act of studying. Here, the act of reading implies moral virtue, erudition, even introspection. His book can be viewed as both a practical object and an icon representing memory and learning. Editor: So it’s not about the specific content of the book, but the symbolism inherent in the act of reading itself. Is that right? It’s a fairly understated sort of symbolism. Curator: Precisely. In a world increasingly defined by immediate experience, Bol is pointing towards the deeper, resonant truths found within the realm of intellect and cultural continuity. But also consider, could the very act of representation imbue the mundane – an elderly man and his book – with lasting meaning? Editor: It does give one pause, doesn’t it? Thanks for helping me unpack all the subtle symbolism. Curator: The image encourages us to reflect on our own understanding of aging, memory, and the symbolic power of objects.
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