Dimensions: image: 1175 x 1540 mm
Copyright: © Kara Walker | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Kara Walker's silhouette, "The Keys to the Coop," presents a stark visual field. The interplay between figure and ground establishes a narrative tension. Editor: It feels like a half-remembered dream, a whisper of a story carried on the wind. There's an unsettling energy, almost frantic, isn't there? Curator: Indeed. Observe how the artist exploits the limitations of the silhouette. The form lacks internal detail, yet the composition evokes a profound sense of depth. Editor: That tension between simplicity and depth is pure magic. It's like a shadow play where the puppets are real, and their stories bleed into our own. Curator: The stark contrast between the black figure and the white plane demands that we consider the historical context of racial representation. Editor: It's a reminder that even the most beautiful forms can carry a weight of history. Curator: Walker uses form to raise complex questions about identity. Editor: A powerful statement.
http://www.tate.org.uk/art/artworks/walker-the-keys-to-the-coop-p78211
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The Keys to the Coop 1997 consists of a large linoleum silhouette printed in black ink that is mounted on white wove paper and features a young girl and a chicken composed in a cartoon-like style. The girl, who is seen in profile, wears a ragged short-sleeved dress and lace-up boots. She appears to be chasing the headless bird that has its feet and wings raised in a startled fashion on the left side of the work. The girl twirls a key (to which the title seems to refer) on one of her fingers, while in the other hand she holds a feathery object – possibly the chicken’s head – to her open mouth, from which the silhouette of her tongue protrudes. This print is number one in an edition of forty.