Nummer één: Vrouw die shamisen stemt c. 1825

This colour woodblock print is ‘Nummer één: Vrouw die shamisen stemt’ by Yashima Gakutei, created in Japan during the 19th century. The dominant visual experience comes from its composition, with the woman seated centrally, framed by botanical motifs, and a tranquil colour palette of greens, browns, and creams. These elements work together to create a sense of quiet and contemplation. The formal structure here creates meaning by evoking a complex interplay between tradition and modernity. The flat perspective and use of pattern nod to traditional Japanese aesthetics. Note the woman’s kimono, where each tessellated square challenges fixed ideas of identity and representation. Consider also the semiotic system at play, where the shamisen becomes a signifier of cultural refinement, yet its tuning suggests a disruption of harmony. Overall, the aesthetic effect operates within a larger cultural and philosophical discourse. Art does not have a singular meaning but exists as a site of ongoing interpretation.