Femme d'un Franc, allant au Bain, plate 62 from "Recueil de cent estampes représentent differentes nations du Levant" by Jean Baptiste Vanmour

Femme d'un Franc, allant au Bain, plate 62 from "Recueil de cent estampes représentent differentes nations du Levant" 1714 - 1715

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drawing, print

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pencil drawn

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drawing

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amateur sketch

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light pencil work

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print

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pencil sketch

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personal sketchbook

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idea generation sketch

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pencil drawing

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men

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sketchbook drawing

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portrait drawing

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pencil work

Dimensions: Sheet: 16 7/16 × 11 15/16 in. (41.8 × 30.3 cm) Plate: 14 3/16 × 9 13/16 in. (36 × 24.9 cm)

Copyright: Public Domain

This print by Jean Baptiste Vanmour captures a 'Frankish' woman on her way to the baths. Her attire, particularly the draped fabric covering her head and body, is rich with symbolic weight, echoing veiling traditions across cultures. Consider the veil—a motif that recurs throughout history, from ancient Roman vestals to Byzantine empresses. This act of veiling transforms the familiar to something more—a symbol of modesty, piety, or status. Here, it serves to both conceal and reveal, framing the woman’s face while hinting at the mysteries beneath. The simple act of covering carries a powerful charge. It engages our own desires and anxieties about what is hidden versus what is shown. The veil is not merely a piece of cloth but a potent cultural artifact, laden with layers of meaning that continue to evolve. We see how such gestures recur, adapted and reformed in the theater of human life.

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