Adoration of the Shepherds c. 17th century

Curator: Immediately, I’m struck by the tenderness—look at the soft glow around the manger. Editor: This is "Adoration of the Shepherds," an engraving by François de Poilly the Elder, now residing at the Harvard Art Museums. Curator: The swirling lines create such movement. Even the frame seems to vibrate! Editor: Indeed, the frame itself functions as a compositional element, drawing the eye inward. Curator: It's a strangely intimate scene, framed as if we’re peeking into a dream. The lamb sleeping at the front...so peaceful. Editor: Poilly’s skillful use of light and shadow enhances the emotional depth; it really pulls you in. Curator: A beautiful reminder of hope, wouldn't you say? Editor: Yes, and it prompts us to consider how different visual elements work together to create this singular effect.