Coverlet - Section of Reverse Side c. 1937

Curator: This is a particularly captivating textile design, simply titled "Coverlet - Section of Reverse Side," created around 1937. It seems to showcase Cornelius Christoffels' meticulous attention to detail. Editor: The interwoven patterns create such a hypnotic effect, don't you think? The way the colours vibrate against each other gives it an almost dizzying energy. Curator: Precisely. Notice how the artist employed geometric elements, arranging the woven material into meticulously structured designs. This echoes movements like Pattern and Decoration which pushed against hierarchical distinctions between art and craft. The very labor involved… Editor: Yes, and there is a clear structure but a shifting quality to the implied symmetry. It toys with our expectations. It’s as if the central lozenge is both expanding and receding. Curator: The artist probably explored the processes involved in weaving these textiles and its purpose—the human touch and mechanical techniques...it underscores the intersection of labour, production and artistic intention in quotidian objects. Editor: It does draw us into considering how the work was crafted by looking closely, with subtle optical illusions formed. We begin deconstructing its component pieces, the colours, form, and woven texture... I imagine feeling that material. Curator: Right, the formal elements are only one entry point here. What would the commission of the 'Coverlet' mean, say, socially? The purpose of the textile at this time in society and culture is also to be noted. This can lead into further analysis on the material culture it existed in! Editor: I understand where you are going, yet it is hard to disengage from what makes the work compelling. It makes you see order but also questions it… there's such dynamism woven in these geometric forms. Curator: Absolutely, and analysing both perspectives expands appreciation. Editor: A synthesis of those different viewpoints certainly enriches its reading.