Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul by Benozzo Gozzoli

Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul 1456

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benozzogozzoli

National Gallery of Umbria (Palazzo dei Priori), Perugia, Italy

panel, tempera, painting, fresco

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portrait

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medieval

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panel

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tempera

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painting

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figuration

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fresco

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child

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christianity

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history-painting

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italian-renaissance

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virgin-mary

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christ

Dimensions: 122 x 212 cm

Copyright: Public domain

Editor: This is "Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul," a tempera on panel made in 1456 by Benozzo Gozzoli. I find the assembly of figures quite striking. How would you interpret its cultural significance? Curator: This altarpiece reveals much about the socio-political landscape of 15th-century Italy and how religious imagery functioned within it. Notice the carefully constructed hierarchy and the symbolic weight carried by each saint. Who do you think would have commissioned such a piece, and where might it have been placed? Editor: Given its size, it might have been a church commission or perhaps for a wealthy family's private chapel? The gold background also makes it look pretty valuable. Curator: Exactly. These altarpieces weren't just devotional aids, they were statements of power, wealth, and civic pride. Consider how the depiction of these particular saints – Peter, Paul, Jerome, John the Baptist – might have served the specific interests or devotions of the patron and the community where it was displayed. The institutional endorsement through their figures sanctified social standing. Editor: So, the arrangement wasn't just aesthetic. Each element, even the choice of saints, contributed to a broader cultural message. Were there rules, I mean conventions for portraying wealth? Curator: Absolutely. The lavish use of gold leaf, the expensive pigments, the scale of the work itself – all these were signifiers of status. But also think about the implied access to education and theological knowledge needed to appreciate the symbolism. Art was a powerful tool in shaping public perception and reinforcing social order. Editor: I see, it's less about individual expression and more about upholding communal and power structures through symbolic displays. Thank you, that gives me a lot to think about regarding art’s role at the time! Curator: Precisely. And considering the painting in its original location tells a story about the intertwined nature of art, power, and faith. Looking beyond the surface invites many such revelations.

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