Zie eens leesgierige jeugd / Wat men u weer op komt dissen [(...)] 1767 - 1793
print, engraving
old engraving style
figuration
history-painting
engraving
Dimensions: height 329 mm, width 268 mm
Copyright: Rijks Museum: Open Domain
Editor: This engraving, "Zie eens leesgierige jeugd / Wat men u weer op komt dissen [(...)]" made sometime between 1767 and 1793, is quite striking. The images depict various biblical scenes and are set within circular frames on a single page, almost like a comic strip. I’m interested in how we might understand the function and effect of the work. What’s your perspective? Curator: I’m interested in the socio-political and religious landscape of the late 18th century that shaped this print. Given its likely dissemination among the Dutch populace, we must ask how such imagery reinforced, or perhaps challenged, prevailing societal norms. What role did these accessible prints play in shaping the viewer’s understanding of scripture? How might they democratize, or alternately, prescribe religious experience? Editor: That’s an interesting point. So it wasn't just about illustrating bible stories, but also about influencing people’s beliefs within a specific societal context? Curator: Precisely. The artist is choosing to represent certain stories, in a particular way, for a specific audience. Let's consider what it meant to make these images available through prints rather than keeping them confined to elite circles or larger church environments. Editor: I see. Thinking about the format itself—the series of framed scenes feels like a deliberate choice to break down complex narratives. Was this an attempt to make religious teachings more digestible for a wider, potentially less literate, audience? Curator: That's precisely the kind of layered understanding we should seek. By analyzing its style and accessibility, we begin to unlock deeper questions concerning its impact. What societal concerns, such as class dynamics or political debates, are implicitly being addressed, reinforced or critiqued here? Editor: So, looking at it beyond just the artistic skill but the way the engraving probably operated politically is the real take-away for me. Thanks! Curator: Precisely. By examining how the visual representation is interwoven with the social narratives, we expand our perspective.
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