Lorenzo Garbieri made this drawing, Flagellation of Christ, using pen and brown ink with brown wash on laid paper. Though these are traditional art materials, their application here feels urgent and immediate. The rapid strokes and layering of wash create a dynamic composition, emphasizing the emotional intensity of the scene. Garbieri's technique, rooted in traditional drawing practices, showcases skilled draftsmanship. The controlled lines define forms, while the wash adds depth and shadow, heightening the drama. However, the drawing’s power lies in its raw energy. It invites us to reflect on the labor and skill involved in its creation, and the social and cultural context of religious art. This piece challenges our understanding of the boundaries between fine art and the immediacy of lived experience.