Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru (Asaina Umejumaru mai no dan) c. 1707

Editor: So, this woodblock print is titled "Eight Scenes of Kanazawa: The Dance of Asahina and Umejumaru," made around 1707 by Torii Kiyonobu I. It’s quite a lively scene on a boat. What stands out to me is how the figures are arranged, almost like a theatrical production, but I'm curious, what catches your eye about this work? Curator: I'm particularly drawn to the labor inherent in its production, starting with the crafting of the woodblocks. Consider the meticulous carving needed to create those crisp lines and intricate patterns. The selection and preparation of the wood itself, likely cherry due to its fine grain and durability, was also a vital stage. How do you think the use of wood impacts the final image, in comparison to, say, a painting on silk? Editor: That's a great point. The wood gives it a distinct texture and flatness. It seems to create a sense of immediacy because it can be reproduced so easily, even though so much labor is involved! It seems more accessible somehow. Curator: Exactly! And think about the pigments used – likely mineral-based or plant-derived – and their accessibility and cost for both the artist and, eventually, the consumer. How might these material considerations have impacted the imagery selected by Kiyonobu I? The dance, the figures on the boat... Editor: Hmm, perhaps the bright colors and festive scene were meant to appeal to a broad audience who could then purchase their own copy? It's almost like mass production for its time. Curator: Precisely! By focusing on the means of production and consumption, we gain insights into the socio-economic context and artistic intent of Kiyonobu I’s work. This was definitely insightful! Editor: I agree, I had never considered the influence of the materials to such a high degree, It really changed my perspective.