Zoutvat met gedreven vissen, schelpen en zeedieren by Claes Baardt

Zoutvat met gedreven vissen, schelpen en zeedieren 1689

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silver, metal, sculpture

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silver

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baroque

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metal

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sculpture

Dimensions: height 7.4 cm, diameter 10.3 cm, weight 116 gr

Copyright: Rijks Museum: Open Domain

Curator: Looking at this photograph, the first word that comes to mind is 'gleaming.' Such bright, shining silver! Editor: Indeed. This is a salt cellar, created by Claes Baardt in 1689. The full title is "Salt cellar with chased fish, shells and sea creatures." It’s quite the Baroque statement piece, isn’t it? Curator: Absolutely! I’m drawn to the material. Consider the silversmith’s skill – taking a raw material and transforming it through intense labour into an object of both utility and elaborate beauty. Editor: It’s interesting how salt, a common commodity, became an indicator of status. Placement at the table was determined by your social importance relative to the salt. An item like this elevates salt into an important status symbol. Curator: Right, but it's also about process. Think of the molds, the chasing tools, the intense physical work involved. We should appreciate the silversmith's contribution to this artwork's value as much as the social connotations. I’d like to understand what Baardt was paid and under what working conditions he was able to produce it. Editor: The Dutch Golden Age, with its global trade networks and increasing wealth, really fostered these lavish displays of status. Pieces like this were highly desired, and it changed how dining took place across the social spectrum. These banquets became a new space where a family and new social class would flex their wealth. Curator: True, but it’s important to understand how global trade fuelled artistic creation. Consider where Baardt acquired the raw materials for this impressive salt cellar and at what cost! We cannot turn a blind eye to such implications of that age. Editor: It gives us so much to ponder, from Baardt’s technique, the societal norms and dynamics of that era, to how silver objects commanded power, dictating social spaces. Curator: Absolutely. Looking closer makes you appreciate not only its beauty, but also the intensive human effort, global resources, and class power put into crafting such a fascinating artefact.

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