Houtsprokkelaars by Jan Willem van Borselen

Houtsprokkelaars 1873

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drawing, pencil

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drawing

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pen sketch

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pencil sketch

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landscape

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figuration

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pencil

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genre-painting

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realism

Copyright: Rijks Museum: Open Domain

Curator: This is Jan Willem van Borselen's "Houtsprokkelaars," a pencil and pen drawing created in 1873. It currently resides here at the Rijksmuseum. Editor: My first impression is one of profound weariness. The figures seem bowed not just by labor but by the weight of something more existential. The sketchiness adds to the feeling of fragility. Curator: I’m immediately drawn to the materials and the means of production. Borselen chose humble materials—pencil and pen on paper—to depict these women engaged in the laborious task of gathering wood. This choice itself speaks to the dignity of labor and elevates the everyday experience to the level of art. Editor: But look at the shawls, the almost iconic hunched posture! To me, these women embody centuries of rural life, their faces obscured, representing anonymity and a universal connection to the land. The bundles of sticks, so painstakingly rendered, resemble offerings. Curator: The bundles are precisely the point! Think of the physical act of gathering, binding, carrying. The labor required. The choice of such mundane objects raises questions about consumption and value, forcing us to confront the conditions under which such work is made necessary. How is poverty illustrated? How is necessity portrayed? Editor: I see it also as part of the visual language of empathy. The slightly blurred outlines suggest the passage of time, memory, the inherent transience of human life and labor—the sticks collected as symbolic tools in a narrative bigger than themselves. It really makes us reflect on the human spirit. Curator: Perhaps, but I argue that the emotional resonance stems from the raw immediacy of the artist’s process and from the fact it's just sketches from a book, raw in their context. These are just underdrawings, ideas in gestation that weren't fully realized and this says something very material about Borselen's practice. It's more that this work allows a window into a very basic transaction between human work and output. Editor: Well, I see it as that transaction elevated to a visual meditation, layered with meanings about endurance. But yes, thank you for pointing to that keyhole. Curator: And thank you for emphasizing what can resonate so strongly in what looks so slight!

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