Gezicht op de Rotunda in Ranelagh Gardens te Londen met een gemaskerd bal ter gelegenheid van de verjaardag van de prins van Wales op 24 mei 1751 by Robert Sayer

Gezicht op de Rotunda in Ranelagh Gardens te Londen met een gemaskerd bal ter gelegenheid van de verjaardag van de prins van Wales op 24 mei 1751 1751 - 1753

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print, watercolor

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water colours

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print

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watercolor

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coloured pencil

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cityscape

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genre-painting

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watercolor

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rococo

Dimensions: height 258 mm, width 401 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this print is titled "View of the Rotunda in Ranelagh Gardens in London with a masquerade ball on the occasion of the birthday of the Prince of Wales on May 24, 1751," dating from around 1751-1753, by Robert Sayer. It's rendered in watercolor. It feels like a snapshot of a very specific time and place, capturing an atmosphere of celebration and… controlled chaos. What do you see when you look at it? Curator: It's a fascinating glimpse into 18th-century social rituals. Look at the figures; they aren’t just individuals but rather carriers of social meaning. The masquerade itself is a symbol – a temporary suspension of the rigid social hierarchies. Observe how the artist uses color and costume to signify rank, profession, even personal inclination. The rotunda becomes a stage where identities are both concealed and revealed. Consider what that duality signifies. Editor: I notice how many figures there are. Is there something to be read from this visual density? Curator: Absolutely. The sheer number of figures packed into this relatively small space creates a feeling of controlled exuberance – a visual representation of society itself. The artist also utilizes symbolism inherent to architecture, color, fashion of the historical period. This form of art-making becomes almost like an anthropological record. Is this making sense to you? Editor: It is. So, beyond just being a record, the painting holds layers of symbolic communication relevant to the culture and the individual. Curator: Precisely. We, the viewers, are left contemplating both public and private spectacle. In the collective consciousness, the symbolic weight that paintings like this hold become ingrained, subconsciously dictating expectations. Editor: Wow, I hadn’t thought of it that way. I’m seeing how much this piece has to tell us about history. Curator: Indeed. Each tiny figure holds the symbolism, psychology, memory of the world it inhabits.

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