print, engraving
portrait
baroque
ink paper printed
engraving
realism
Dimensions: height 192 mm, width 135 mm
Copyright: Rijks Museum: Open Domain
Curator: Let's look at this print by Jacob Houbraken titled "Portret van Hubertus Gregorius van Vrijhoff," created sometime before 1755. It is currently held in the Rijksmuseum. Editor: There’s a restrained confidence to it, isn’t there? It's a study in poise, even in the small scale of a print. Curator: Precisely. Prints like these circulated widely in the 18th century, allowing the rising merchant class to align themselves with aristocratic cultural values by displaying images of significant public figures and intellectuals like Van Vrijhoff. These prints, reproduced and distributed widely, also perpetuated specific, highly stylized ideals of masculinity and societal status. Editor: Indeed, the trappings of status are so interesting. Notice the book he’s holding. Its position almost reads like a heraldic shield. Books signified learning, intellect and a command of knowledge. His powdered wig speaks of adherence to trends, as do the meticulously depicted lace cuffs, a testament to luxury and personal refinement. Curator: And it's important to note how that very 'refinement' was linked to global exploitation at the time. Fine textiles, printing paper, access to knowledge... all of it deeply entangled with colonialism and slavery. The image, as carefully constructed propaganda, served to mask these deeply imbalanced economic structures and reify Van Vrijhoff's social standing in relation to these unequal conditions. Editor: Yet consider the power of this image. An individual elevated and solidified in history by means of a printed portrait. This simple engraving serves almost as a type of talisman, the emblem of Van Vrijhoff’s cultural memory perpetuated into posterity through art. Curator: I agree. It's about looking beyond the apparent realism of the image to understand the forces at play during that era. The symbolism serves not only to portray an individual, but also the networks of power and ideology in which they existed. Editor: Yes, the intersection of those concepts, perhaps the essence of the image is captured within this little space. Thank you.
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