The Burning of the New Tariff House of Gobelins (12 July 1789) 1789

Editor: This etching by Jean François Janinet, titled *The Burning of the New Tariff House of Gobelins*, really captures a moment of intense social upheaval. I’m struck by the contrast between the solid architecture and the chaotic crowd. What aspects of the making of this work stand out to you? Curator: The printmaking process itself becomes crucial here. Consider the labor involved in creating multiple impressions, disseminating this image of rebellion. It challenges notions of singular artistic genius. How does this mass production connect to the social context of the French Revolution? Editor: That makes me think about how accessible prints were, spreading revolutionary ideas... It's a really interesting connection! Curator: Exactly! We see the material means of communication fueling social change.