print, engraving
portrait
baroque
figuration
engraving
Dimensions: height 103 mm, width 67 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have “Engeltje met een roos in de hand,” or “Little Angel with a Rose,” a work attributed to Pieter van Avont, dating sometime between 1630 and 1652. It’s an engraving, currently held in the Rijksmuseum. Editor: Oh, what a sweet little cherub! There's something so soft and innocent about the way the artist has depicted this figure, despite it being in stark black and white. He looks almost contemplative, doesn't he? Curator: He does, and consider the rose he holds. The rose is an age-old symbol of love, of course, but also of secrecy and transience. Combined with the cherub figure, it creates a beautiful memento mori, a gentle reminder of life's fleeting nature. Editor: I see that—that bittersweet notion of beauty fading is certainly present, given the monochromatic engraving and rather weighty symbolism loaded on such a young figure. There's also something undeniably Baroque about it, though, isn’t there? A bit fleshy and indulgent in its representation. Curator: Absolutely. The Baroque loved those dramatic flourishes, the cherubic forms bursting with life. And here, despite the potentially somber theme, there's a real vibrancy, a sense of the angel just having paused for a moment, mid-flight perhaps. The rose can suggest Mary’s divine love, the virgin’s pure innocence and her immaculate conception; however, it's important to be open to its symbolic ambivalence. Editor: That interplay is what captivates me. The rose as a token of beauty, virtue, or affection juxtaposed with this awareness of its ephemerality. The pose too; such gentle intention towards an idealised perfection in terms of form and figure, caught with such apparent softness and innocence. Curator: It’s fascinating how Pieter van Avont balances those contrasting elements, isn't it? Creating a work that's both deeply symbolic and immediately accessible. It prompts a reflection on both life’s joy and brevity. Editor: Yes, leaving me with a sense of melancholic beauty – a reflection on beauty, truth and perfection that can ultimately, only ever remain an elusive ideal. A worthwhile moment spent reflecting here.
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