Landschap met ruïne by Salomon van Ruysdael

Landschap met ruïne 1610 - 1670

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drawing, pencil

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drawing

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dutch-golden-age

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landscape

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form

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pencil

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line

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realism

Dimensions: height 141 mm, width 265 mm

Copyright: Rijks Museum: Open Domain

Art Historian: Here we have “Landscape with Ruins” by Salomon van Ruysdael, created sometime between 1610 and 1670. Artist: Wow. Just the delicate rendering alone—it's like a whisper of a memory. Faint lines sketching a quiet scene, but full of a melancholic air. Makes me want to sit and write poetry, something about lost grandeur and nature's persistence. Art Historian: Ruysdael was a master of Dutch Golden Age landscape painting, known for his serene, often expansive views. What’s interesting here is the medium—a drawing—and its focus. Landscape art during this period helped construct a national identity. The land became something to be proud of, but including a ruin… that adds complexity. Artist: Absolutely. That ghostly architecture lurking in the background—is it hope, or a warning? The soft pencil work feels almost apologetic, as if the artist himself were hesitant to fully commit to either celebrating or mourning the past. Art Historian: Precisely. The ruins become a reminder of transience. You have this idealized natural world alongside evidence of human decay. It's a statement about the limitations of human endeavor in contrast to nature's enduring presence, reflecting perhaps anxieties around the ongoing Eighty Years’ War. Artist: I see it more personally, perhaps. Like a reflection on memory, how details fade, how emotions linger long after the events themselves. The simplicity, the monochromatic palette… it's stripping away artifice to reveal something profoundly vulnerable about our place in the world. It invites introspection rather than declaration. Art Historian: That tension between the personal and the political is what makes the artwork so resonant. It speaks to both individual experience and broader cultural concerns about the relationship between humanity and the natural world. It definitely brings out mixed feelings doesn’t it? Artist: Yes, absolutely! Like catching a fleeting moment of peace and devastation at the same time. A tiny drawing packs a heavy emotional punch! I love it.

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