Waiting 1969

Oswaldo Guayasamin made this monochromatic triptych, Waiting, with paint, though the date is unknown. The painting style is expressionistic and emphasizes mark making as a process. Take a look at the central panel. The figure is painted with thin washes of white and grey paint, which creates a skeletal appearance. There are areas where the paint is thicker and more opaque, like on the face in the panel to the right, which adds texture and depth to the painting. The brushstrokes are visible and expressive, conveying a sense of urgency and emotion. The stark contrast between the light figures and dark background creates a sense of drama and isolation. Guayasamin’s work often depicted themes of human suffering and social injustice, reflecting the artist’s own experiences and beliefs. Think of how Picasso used monochromatic palettes in his paintings, especially during his Blue Period. This work is similar because it evokes a sense of despair and hopelessness. Art becomes this ongoing dialogue, across years and between artists.