Bald headed man in profile right: the artist's father (?) 1805 - 1844
print, etching, engraving
portrait
etching
history-painting
engraving
realism
Dimensions: height 133 mm, width 89 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have "Bald headed man in profile right: the artist's father (?)," an etching and engraving, dating sometime between 1805 and 1844, by Ignace-Joseph de Claussin, held at the Rijksmuseum. It’s quite small, about 13cm high. What strikes you first? Editor: Melancholy. A profound, quiet sadness seems etched onto this man’s face, mirroring the very lines incised into the plate. There is a lot to say on the portrayal of masculinity as an old and ageing face. Curator: Interesting. Historically, prints like this served various purposes – from portraiture to illustrating historical narratives, and distributing images. What social function might a somber portrait like this have served in its time? Was it political in any way? Editor: Perhaps it spoke to the fragility of power, or maybe a personal meditation on aging and mortality. Consider the societal pressures surrounding family, legacy, and how portraiture functioned to immortalize or manipulate one's position. What narrative is perpetuated? Curator: His downcast gaze might communicate defeat, especially if we imagine a context of political turmoil and revolution. He's dressed respectably. Editor: I find that the focus of the man in his most vulnerable state speaks to what this represents to families and the individual. What can this be interpreted as with shifting gender expectations, roles, and identity constructions within our understanding of how historical power can shift and remain fluid through this portrayal? Curator: The technical skill is also noteworthy, notice the delicate rendering of light and shadow, the almost photographic detail in the fur collar. Claussin’s command of line is superb. He wasn't just copying reality, he was interpreting it, embedding it with emotions. Editor: It begs us to ask, who was this man? What impact does showing that vulnerability to such an audience imply to the modern consumer of art today. How do we shift it to focus on gender? Curator: His direct lineage and the history of his bloodline and contribution might impact the way viewers engage in history today. The value systems attributed might have changed. Editor: It's in the shadows where the questions lie. A powerful piece for opening a contemporary discussion about how we treat older masculine vulnerability in visual spaces. Curator: Indeed. It provides a fascinating glimpse into both individual emotion and collective experience.
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