Gezicht op de Gendarmenmarkt in Berlijn by Friedrich Albert Schwartz

Gezicht op de Gendarmenmarkt in Berlijn 1892

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print, photography, architecture

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print

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german-expressionism

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photography

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cityscape

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architecture

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realism

Dimensions: height 167 mm, width 207 mm

Copyright: Rijks Museum: Open Domain

Curator: Welcome to the Rijksmuseum. Today, we’re looking at Friedrich Albert Schwartz's "Gezicht op de Gendarmenmarkt in Berlijn," a photographic print capturing Berlin’s Gendarmenmarkt in 1892. Editor: It has that sepia wash… feels nostalgic, a little melancholic even. Like a memory faded at the edges, but still monumental in its feeling. Curator: Precisely. This photograph provides insight into late 19th-century Berlin. The Gendarmenmarkt, flanked by the Deutscher Dom and Französischer Dom, becomes a stage to explore architecture as a statement of power and faith. Reflecting on its identity during a period marked by rising nationalism and industrialization. Editor: Those domes! They look like frosted cupcakes from afar. The image definitely evokes that sort of stoic, orderly feeling of old European cities, with a quiet kind of drama brewing in the air...or maybe that's just knowing what was coming. Curator: Indeed, the symmetry and the careful positioning of the buildings echo classical ideals, yet as German Expressionism begins to bubble in the coming decades, we see these values challenged in favor of abstraction and emotionality. We might view the image through the lens of critical urban theory, to really examine questions of access, privilege and social control implicit within cityscapes. Editor: Yeah, looking closer at the base, the city appears almost empty… eerily depopulated, like the prelude to a silent movie or perhaps, forebodingly, to disaster. But beautiful. You really feel the sheer scale and architectural precision of it all, yet…distant somehow? Curator: Well put. Schwartz captures a pivotal moment – a sense of old-world order on the cusp of significant social and artistic change. Reflecting the transformations in art that would soon take place, shifting from representation toward subjective expression. Editor: Looking at this, you start thinking of all the hands that built that structure and their stories - both revealed and silenced. It does push you towards digging into a place’s identity. Makes me think about how places change over time. Curator: Agreed. "Gezicht op de Gendarmenmarkt in Berlijn" is far more than just a photograph of a square. It is a mirror reflecting on Berlin, its identity, its past, and indeed, its future. Editor: It really is… a potent blend of art, memory and that inevitable historical twist, all bottled in one faded, beautiful shot. Thanks for sharing that insight!

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