Santi Giovanni e Paolo in Rom 18 - 1828

Friedrich Maximilian Hessemer rendered "Santi Giovanni e Paolo in Rom" with graphite on paper. The artist employed the paper support to achieve a light effect and subtle tonal gradation, while the marks from the graphite create a clear composition that invites the viewer to look at the architectural landscape. The architectural drawing captures a view in Rome, likely done on location with minimal materials. Its quick execution is perfect for capturing a fleeting moment. The artist employs a hatching technique to build shadow and volume that gives the church a monumental presence. The sketch-like quality also gives the artwork an unfinished appearance, allowing the viewer to witness the artist's process. Ultimately, the work reminds us that every artwork is embedded in the artist's experience and the labor of its making. By recognizing these elements, we move past traditional notions of fine art and engage with the broader social and material context of the artwork.