Flask 1935 - 1942

Charles Caseau made this drawing of flasks with an intriguing, restrained palette of yellows and browns. He understood that art making is a process, and here we see a study of form as much as a study of color. The color is transparent, allowing the white of the paper to shine through, creating a sense of light and depth, and the brushstrokes give a tactile quality to the drawing, making it feel almost sculptural. Caseau varies the paint thickness, and this gives a sense of depth to the image. The central flask, with its elaborate floral design, feels weighty, like a proper vessel. I think that Caseau’s approach reminds me of Giorgio Morandi’s still life paintings, which explore the subtle variations of color and form. Both artists use a limited palette and simple compositions to create works that are both quiet and profound. They encourage us to slow down and really look, inviting multiple interpretations.