print, engraving
allegory
old engraving style
mannerism
figuration
history-painting
engraving
Dimensions: height 184 mm, width 128 mm
Copyright: Rijks Museum: Open Domain
This engraving of the Coronation of the Virgin, was produced by Johann Sadeler I around 1580-1600. Created during the Counter-Reformation, the image reflects the period's renewed emphasis on the Virgin Mary as Queen of Heaven. Sadeler's engraving presents us with a traditional depiction of the Virgin Mary being crowned by God the Father and Jesus, surrounded by a host of angels and the Holy Spirit. Mary, with her hands open, looks up, and the Holy Trinity bestows upon her, her crown. This piece invites reflection on the powerful role ascribed to Mary, a woman, within the celestial hierarchy. But I want us to think about this piece in relation to gender and power, as well as the idea of divine femininity. How does this image challenge or reinforce contemporary views on women's roles in society and religion? What does it mean to see women like this? I wonder about the symbolism of Mary as the 'bride' in the inscription, "Veni de Libano Sponsa Mea," inviting us to explore the themes of love, devotion, and perhaps the complex dynamics of power inherent in these relationships.
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