Tray c. 1940

Charles Roadman made this tray with paint, but when we don't know! Look at the way Roadman made the tray's edge with that decorative border and the still life of fruit and birds at the centre. I wonder if Roadman approached the tray like a canvas? Did he sit or stand? And what was it like painting on this surface rather than a flat one? There are these rhythmic, patterned designs that seem to vibrate. The combination of darks and reds, yellows, greens, blues, and pinks creates a sense of vibrancy. And I am drawn to the birds. The painting feels like a conversation between form and decoration. It reminds me of other artists throughout history who have explored similar themes. It’s as if Roadman is in dialogue with them, adding his own voice to the ongoing discussion about art and expression. Ultimately, this tray invites us to embrace ambiguity and find our own interpretations.