Apostel Judas Thaddeus 1680

Curator: Well, here we are facing "Apostel Judas Thaddeus," an engraving created around 1680 by François de Louvemont. What's grabbing you first off? Editor: It’s all hard lines, very architectural almost! His stance, that odd square he’s holding—it feels…severe. Definitely a commanding presence though, wouldn't you agree? Curator: I would. Louvemont really leaned into the drama of the Baroque here. The deep lines create these stark contrasts, giving Thaddeus an almost monumental feel, doesn’t it? Especially considering it's just an engraving. The way his drapery swirls, almost hiding and then revealing the body. Editor: Exactly! See how the folds both conceal and emphasize the musculature? The engraving almost gives him the texture of marble or some other stone. Do you know what is in his hand? A brick maybe? Curator: Haha. Well, Jude is often depicted holding various objects symbolic of his life or martyrdom. Often he carries a club or axe but this seems to be some type of square or maybe part of a T-square—most likely connected to his role as patron saint of hopeless causes! He probably needs an architect! Editor: Ah, right. The patron saint angle. Of course. The way his eyes lift heavenward... you can almost hear the organ music swelling! Though I am a bit curious about his torso—it gives a very virile impression...was that common at that time? Curator: In that era, the glorification of the human form was absolutely intertwined with concepts of divinity. Louvemont is drawing upon Classical ideals and melding them with religious fervor. Makes a bit of a potent combination, I think! It's powerful. It’s Baroque doing what Baroque does best. Editor: It is that. You almost can't help but feel the pull, that kind of overwhelming religious moment of conviction! Still…maybe Thaddeus needs to chill a little and unhand that square… Curator: Well, there you have it! Even centuries later, he continues to leave a lasting impression. Louvemont certainly captured a presence you don’t easily shake off.