Saints Claudius and Castorus c. 16th century

Editor: Here we have an anonymous woodcut from around the 15th century, "Saints Claudius and Castorus," currently held at the Harvard Art Museums. It's quite stark in its depiction of violence. What strikes you about this piece? Curator: As a materialist, I immediately consider the labor involved in creating this print. The cutting of the woodblock, the production of ink, and the act of printing—all point to a specific mode of production and consumption of religious imagery in that era. How does the image's materiality impact your understanding of its religious message? Editor: That's interesting, I hadn't considered the labor aspect so directly. It makes me think about who was accessing these images and in what context. Curator: Exactly! The repetitive nature of printmaking suggests a wider dissemination of religious narratives, blurring the lines between high art and popular devotion. Considering this, what new insights might you gain? Editor: I see now how the medium itself shapes the message and its reception. Thanks for pointing that out! Curator: It’s a privilege to share thoughts with you.