The Hill above Harlech by  Sir William Nicholson

The Hill above Harlech c. 1917

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Dimensions: support: 537 x 594 mm frame: 626 x 681 x 70 mm

Copyright: © Desmond Banks | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have "The Hill above Harlech" by Sir William Nicholson. The patchwork fields in the foreground are quite striking. What can you tell me about this landscape from a material perspective? Curator: Observe how Nicholson simplifies the land into these flattened, almost manufactured shapes. This reflects a changing relationship between humans and the environment through agricultural production and consumption of the land. Editor: So, it's less about the beauty of nature, and more about its use? Curator: Precisely. Consider the labor invested in shaping these fields, the materials extracted, and the social systems that supported their production. That's what interests me here. Editor: I hadn't considered the work behind the landscape itself. Thanks! Curator: It's about seeing beyond the surface. Materiality shapes our world and therefore our art.

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tate about 2 months ago

http://www.tate.org.uk/art/artworks/nicholson-the-hill-above-harlech-t01047

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tate about 2 months ago

The Nicholsons lived at Harlech in North Wales towards the end of the First World War and later. This view is from high above Harlech Castle, which is itself on the edge of a hill, and looks across Tremadoc Bay to the mountains on the Lleyn Peninsula. It is seems to be by moonlight, after rain, with a reflection from a slate roof and a pattern of shadows cast by the walls around the fields.Nicholson began to paint landscapes in these sudued colours in about 1909, when he moved to Rottingdean on the Sussex coast. Gallery label, September 2004