Cigar Store Indian 1935 - 1942

Editor: We are looking at "Cigar Store Indian," a watercolor and ink drawing created between 1935 and 1942 by Marius Hansen. It depicts a caricature of an indigenous person on a cigar box. The flatness and cartoonish qualities strike me. How do you interpret the formal qualities? Curator: Let's consider first the line. Notice the bold, almost harsh outlines defining the figure, particularly in contrast to the softer application of watercolour washes within. This juxtaposition creates a visual tension. Do you see how the planes of the face and costume are simplified, reduced to essential forms? Editor: Yes, the reduction of the face makes it look more like a generic depiction of an Indian than an attempt to be realistic. Curator: Precisely. Note the treatment of colour. The palette is restricted, primarily earthy tones with muted reds and greens. The subtle variations within each area denote depth, but it's essentially flat, creating a deliberately decorative effect. Think about how that aesthetic functions. Editor: So, you are saying the artist chose simplicity in both line and color? Curator: In the interplay between bold outline and subtle colour wash. Notice how the structure directs our gaze. The artist meticulously contrasts the statue's base against the Indian, while exaggerating stereotypical signifiers like feathers and cigars, reducing depth for a cartoonish style. It reveals structure and sign, directing visual communication and perception. The arrangement contributes to meaning. Editor: So, it is less about the historical context and more about the artistic method. I see, thanks. Curator: Indeed. Focusing on how formal elements communicate intention. This gives us so much!