Gezicht op een haven in Rouen 1631 - 1661

Israel Silvestre created this print of a harbor in Rouen sometime in the 17th century. Silvestre was a draughtsman, etcher, and print publisher, who came from a family of artists. He was appointed engraver to the King of France, and his works often served as propaganda, celebrating the King's power. In this print, Silvestre represents the gate, bridge, and port of Rouen. Note how the figures crossing the bridge and milling near the boats are dwarfed by the architecture. Commerce and trade are suggested by these figures, yet the image emphasizes France’s military strength and commercial reach through the imposing architecture. This etching illustrates not just a scene, but also the power dynamics of the era. This piece offers a window into the economic and political climate of 17th-century France, reflecting the aspirations and realities of its society. How do you think visual art at this time was complicit in the power dynamics it portrays?