Vrouw die op een stoel naast een wieg zit 1887 - 1920

Albert Roelofs made this etching of a woman by a cradle with ink on paper. The overall impression is very soft. It’s like a memory, or a dream, hanging in the air, rather than a firm depiction of a scene. I am drawn to the way the hatching and cross-hatching creates these subtle tonal gradations. Look at how the woman’s dress seems to almost glow against the darker areas of the interior. Then notice that her hands and arms are just suggested, lightly, quickly. The details are softened, as though blurred by emotion. What is she thinking about? What does she feel? The more I look at the image, the more I think of Whistler. Both artists share a similar sensitivity and aesthetic sensibility. The beauty here is that these questions are never fully answered, and it is precisely this ambiguity that makes the image so intriguing.