Coverlet 1840 - 1845

This coverlet was woven by James Cunningham in the mid-19th century. The immediate impression is one of symmetry and repetition, dominated by a vibrant red and white palette. The weaving technique lends a distinct texture, inviting a tactile interpretation even from afar. The overall structure adheres to a grid-like format, yet it is softened by the organic forms of floral motifs and curving lines. Each quarter of the coverlet mirrors the others, creating a balanced visual field. But this symmetry is not merely decorative; it reflects a deeper order, reminiscent of structuralist principles where underlying patterns dictate the surface appearance. Consider how the semiotic system operates here: flowers are not just flowers, but symbols of nature, growth, and perhaps even domesticity. The eagle and shield near the bottom edge locate the coverlet in a specific cultural and historical context, adding layers of meaning beyond mere aesthetics. This piece, seemingly simple, engages with complex codes of representation, inviting endless interpretation.