Dood van Adonis c. 1636 - 1670

Magdalena van de Passe made this print of the Death of Adonis in the 17th century using the intaglio technique. The image is achieved through fine lines incised into a copper plate, which is then inked and pressed onto paper. The character of the print relies entirely on the artist’s control of the burin, the tool that cuts those lines. Consider how the density and direction of the marks give the scene its tonality and depth, the illusion of three dimensions on a flat surface. This printmaking method requires immense patience and skill, with the engraver functioning as a kind of reproductive technician; the final print could be widely disseminated and enjoyed by many. It is easy to overlook the immense labor involved in the production process. Looking at the original work today, we are reminded that so-called 'fine art' is almost always the product of collective work.