Portret van Julien le Roy 1759 - 1780

Pierre Etienne Moitte created this print of Julien Le Roy in the 18th century, an era defined by strict social hierarchies. As ‘Horloger du Roi,’ or clockmaker to the King, Le Roy occupied an important position in the French court. What interests me most about this portrait is how it speaks to the identity and status of its subject. Le Roy’s powdered wig, lace cravat, and velvet jacket signify his membership within the elite. He is framed by an architectural window, which positions him as a figure to be viewed and admired. The book he holds might be a symbol of knowledge. While portraits of the era often upheld traditional representations of power and status, they also offered subtle narratives about personal identity. How might Le Roy have felt about being portrayed in this way? Was it a true reflection of himself, or a performance of his social role? This portrait is both a personal depiction and a reflection of societal values, inviting us to consider the interplay between identity, representation, and the gaze.