Naakte vrouw met een stok in de hand by August Allebé

Naakte vrouw met een stok in de hand 1848 - 1927

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drawing, pencil

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portrait

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drawing

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comic strip sketch

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imaginative character sketch

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light pencil work

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pencil sketch

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figuration

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personal sketchbook

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idea generation sketch

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sketchwork

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pencil

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sketchbook drawing

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storyboard and sketchbook work

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academic-art

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nude

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sketchbook art

Dimensions: height 160 mm, width 74 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have August Allebé’s “Naakte vrouw met een stok in de hand,” or “Naked woman with a stick in her hand,” made sometime between 1848 and 1927. It’s a pencil drawing, and the quick, light strokes give it the feel of a preliminary sketch. What do you make of it? Curator: This drawing immediately evokes classical mythology. Consider the female nude: through centuries of art, she's been a potent symbol of vulnerability, beauty, but also of power – think of goddesses like Venus or Diana. Editor: Yes, I see that. But what about the stick and the dog? Curator: Exactly! The stick could represent authority or perhaps direction, but context is vital. What does the dog signify to you? Traditionally, dogs symbolize fidelity and guardianship. Yet, here, the dog is looking upwards, almost pleading. Does that resonate with any stories or allegories you know? Editor: Hmm, maybe she’s a huntress, like Diana? The dog and the stick would make sense then. Curator: Precisely. And think about the act of sketching itself. Allebé isn't creating a finished piece; he’s capturing an idea, a fleeting moment. The “nude with staff” then isn't just a depiction, but also a record of artistic contemplation, tapping into centuries of cultural memory associated with those symbols. Editor: So, even a quick sketch can carry a lot of cultural weight? Curator: Absolutely! Symbols accrue meanings over time. What's fascinating is how Allebé reinterprets these established symbols, prompting us to revisit their meaning in a new light, making us rethink continuities in visual culture. Editor: That’s a perspective I hadn't considered. I will certainly look at sketches in museums differently from now on.

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