Untitled 1965

Here we see an untitled artwork by Olga Albizu. It presents us with an immersive field of vibrant, warm hues. The materiality of the paint is pronounced, with visible, textured strokes creating a tactile surface that invites close inspection. The composition is an arrangement of color blocks—predominantly reds and oranges—that play off against smaller areas of blue and black. This strategic use of color destabilizes any sense of fixed form. The brushstrokes build a surface which is not merely representational but exists as a dynamic field of aesthetic experience. Albizu’s work engages with the semiotic potential of abstraction. Each color and form operates as a sign, contributing to a visual language that transcends conventional representation. The painting resists singular interpretations, it invites us into a space where meaning is fluid and perpetually under construction.