Haven in Dordrecht bij maanlicht by Carel Nicolaas Storm van 's-Gravesande

Haven in Dordrecht bij maanlicht 1851 - 1887

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print, etching

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print

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etching

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landscape

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cityscape

Dimensions: height 142 mm, width 201 mm

Copyright: Rijks Museum: Open Domain

Curator: What a somber scene. The tones are so muted, it's almost monochromatic. Editor: This is "Haven in Dordrecht bij maanlicht," or "Harbor in Dordrecht by Moonlight," an etching by Carel Nicolaas Storm van 's-Gravesande, created sometime between 1851 and 1887. It's currently held here at the Rijksmuseum. Curator: The material itself lends to the darkness, doesn’t it? The stark, engraved lines, creating the shadows… You can almost smell the dampness of the water. I'm immediately drawn to how the artist manipulated the etching process to achieve this almost ghostly effect. The labor involved, the pressure, the acid… it all contributes to the final image. Editor: The moonlight definitely evokes a certain mood, doesn't it? Dordrecht was a significant trading hub, and images like this helped solidify its place in the national consciousness, particularly its maritime identity. You see the sailboats there; they become symbols of trade, the harbor itself representing a bustling port. Curator: Yes, and considering the period in which this piece was made, there’s certainly something to be said about the means of production being reflected within the print itself. We can see, very explicitly, the hand of the artist within the final work. I imagine the materials available in this particular place and time also informed its look. Editor: Absolutely. The etching medium itself allowed for relatively easy reproduction and circulation, bringing views of Dordrecht to a wider public and therefore, solidifying ideas about Dutch national identity. Furthermore, considering the location here at the Rijksmuseum, it’s hard not to recognize the powerful role that the museum institution plays in shaping our understanding and appreciation of Dutch art and culture. Curator: This image makes me ponder about our cultural memory, shaped so profoundly by how labor, materiality, and landscape all weave together to create the art that shapes how we view the world. Editor: Agreed. The etching, in its simplicity, gives us a unique window into the past, filtered through both the artist’s hand and the institutions that preserve and interpret it. A powerful piece indeed.

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